Cyan (Detlaf Fiedler and Daniela Haufe) founded their graphic design studio in East Berlin shortly after the fall of the Berlin Wall in 1989. Among the first designers to embrace emerging desktop publishing tools, they combined digital innovation with a deep engagement in the intellectual legacy of the Bauhaus.
Building on Germany’s long tradition of excellence in printmaking, Cyan’s posters are distinguished by saturated color, impeccable typography, and meticulous alignment. Their work subverts conventional notions of “good design,” demonstrating that effective advertising can be as conceptually rich and visually complex as fine art.
Cyan (Detlaf Fiedler and Daniela Haufe) founded their graphic design studio in East Berlin shortly after the fall of the Berlin Wall in 1989. Among the first designers to embrace emerging desktop publishing tools, they combined digital innovation with a deep engagement in the intellectual legacy of the Bauhaus.
Building on Germany’s long tradition of excellence in printmaking, Cyan’s posters are distinguished by saturated color, impeccable typography, and meticulous alignment. Their work subverts conventional notions of “good design,” demonstrating that effective advertising can be as conceptually rich and visually complex as fine art.
Cyan (Detlaf Fiedler and Daniela Haufe) founded their graphic design studio in East Berlin shortly after the fall of the Berlin Wall in 1989. Among the first designers to embrace emerging desktop publishing tools, they combined digital innovation with a deep engagement in the intellectual legacy of the Bauhaus.
Building on Germany’s long tradition of excellence in printmaking, Cyan’s posters are distinguished by saturated color, impeccable typography, and meticulous alignment. Their work subverts conventional notions of “good design,” demonstrating that effective advertising can be as conceptually rich and visually complex as fine art.
